Initially used on their range of Gibson replica guitars produced by Fernandes Guitars, it was also used as a name on some of their 1970s strat copies (Burny Olds and Burny Custom) and later used as a brand line for original designs. For now I'll include this video of how it sounds through that Trace hybrid amp - but an all valve amp makes this really shine as this hybrid amp sounds harsh and jagged around the "edges" of the notes. Burny is a sub-brand of Fernandes Guitars. I'm in the process of getting a low powered all valve amp so I can showcase the tru sounds of the guitars I post here. The guitar sounds great, just like a vintage strat should and that's through a Trace Elliot hybrid amp (valve preamp section coupled with a solid state output section). There also an air of quality about the fit and finish and this is a serious guitar that's bolted together as well as any!So if you chance to find one of these or indeed any guitar with a vintage strat neck profile, give it some time in your hands and you'll be rewarded. However, it wasn't long before the neck fit as well as my winter gloves and cords were a pleasure to play, even the more finger stretching and bar variety (purple rain is a standout knuckle buster). Sometimes, I would fret notes incorrectly as my fingers acclimatized to the new environment - and this is not a flaw on the part of Fernandes, but rather something you can expect when making a change from any modern board to vintage. I had played vintage strat in the past, but this was my first vintage guitar to sit down with and attempt a lexicon of licks and runs with in quite a while. His keenness on enhancing sustain led to have this guitar feature 2 dedicated switches for sustain, let alone the rhythm - treble 3 way common switch. For starters, if your moving from something along the lines of a modern neck profile, well then give yourself time to become accustomed to the neck. LP Custom Endless Sustain Burny RLC-105S is best known among the Japanese as Pata(X-Japan)s favored guitar. Well, I mentioned it compared quite favorably to the original 64', but what does this mean in practice. When you get into the habit of doing this, you might be amazed at the difference between different strats, even those of the same model and year.īut all this is of course redundant rhetoric if the guitar doesn't play well and feel right. With that in mind here is a video I just shot showing the acoustic properties of my Fernandes revival strat. Sure, you can add all the gain you want onto an acoustically dead instrument, however this will not sound or respond like an instrument which has these qualities in its unplugged condition. So, the next time you are trying out a guitar make sure you spend some time playing it unplugged, and pay attention to its natural acoustic properties. Why? Well if a guitar sounds good unplugged, then those qualities will carry on over into the amplified sound. A guitar that has good acoustic properties such as a natural ringing sustain, is a guitar you'll want to get your hands on.
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This may not seem very important but it is. However, I have not been able to find any demonstrating the unplugged tone. Well there a lot of videos online featuring the Fernandes revival.